this is a collection of work (October 2026) from Julia Kerres. Currently based in the Netherlands for her MA
studies at the Design Academy Eindhoven. She
graduated
fromHochschule Mainz (DE)in 2024,
with an exchange year atArtEZ (NL).In 2024, she interned attransmediale e.V.in Berlin (DE) for the
37th edition
of the annual festival you're doing amazing
sweetie. (are.na)(ig)(mail)
set design for the evenings of ᵀʰᵉ ᴬˡᵍᵒʳⁱᵗʰᵐⁱᶜ ᴬˡᵗᵃʳ
a three-day event organised and hosted by studiohot
swapa.k.a. Adele
Stroh and Tine Kerres at the Gerrit Rietveld Academie in Amsterdam
invites technology to act as a conduit for ancient magic — unfolding
through a lecture performance, a workshop holding space for defying
gravity, and hybrid DJ sets. To help us surrender to these rituals,
the space provides cushions whose ribbons already hold whispers and prayers
once read in silence, and are meant to hold yours — tied in small
knots — while you yield to their rhythmic loop and quietly count your
devotions.
sweet lore. a study of common symbols and their visual
language, transformed into disconnected artifacts—not as
simulations of actuality, but as representations of some
thing that can be imaginatively expanded °.౨ৎ ⋆。˚
0%-100%.
is an experimental method of archiving the digital collection of the Whitney Museum of American Art, New
York.
The works are arranged from the darkest to the lightest to create a gradient. By utilizing the book's
properties to express this idea,
the loose binding, with its interfolded pages, allows for a continuous flow of the gradient. This approach
transforms the diverse
artworks of the archive into a unified whole, enabling them to tell a new story through their sequence and
juxtaposition.
Details of each artwork become secondary and are hidden within the folded pages.
you're doing amazing sweetietransmediale
is an annual festival uniting
artists, researchers, and activists exploring art, digital
culture, and socio-political change. Its 37th edition, you’re
doing amazing sweetie, examined how content production shapes
our relationship with technology. The three-day festival was
accompanied by the exhibitions Uncensored Lilac and this is
perfect, perfect, perfect. As a design intern, I collaborated
with Bárbara Acevedo Strange on the festival’s visuals, which
explore the rabbit hole of viral content culture in the eerily
empty corners of the internet’s back rooms, adorned with
meaningful gems.
'95
an exploration of the treasured discoveries of my upbringing
as a reference for visual inquiry and reinterpretation. With
their significance questionable, yet persistently present: the
tactile memory of a perforated ice-pop stick made of thin
plastic, a naive fascination with narratively irrelevant features
in cartoons, the sound of dried grass being crushed underfoot
and the quitness that follows while laying in it, …
(ongoing).
soft encyclopedia.(http://soft-encyclopedia.net) explores the
web’s intrinsic network nature as a narrative
tool. By claiming hypertext’s non-sequential and non-linear structures as an antidote to an alienating, heroic,
and causal mode of reasoning dominating Western perception and belief system, soft encyclopedia enables
connections between links that initially seemed distant. It fosters associations and opens up new perspectives,
constantly (re)linking and (re)shaping truths. As a different kind of narrative, as a container “[...] holding
things in a particular, powerful relation to one another and to us.”(link)Conceived as the dawn of a new world
order by its creators, the web arises from the same systematic essence inherent to the fabric of existence—as
a network of connections and interdependencies.
These thoughts are made tangible through an installation centered around a hypertext document, where words
evolve into a poem, a story, a lore, a spell, a ritual. Composed by the user’s navigation between hyperlinks,
the document’s URL becomes the carrier of the narrative. Read my ba thesis(here).
The work was displayed as part of the exhibition fluid bodies on nonlinear underscores at K-LAB in Mainz and was
also included
in the BAMA exhibition at Mainz University of Applied Sciences.
this website is handmade. last update 29/09/24
(1.1) event location @ Rietveld Pavilion of the Gerrit Rietveld Academie, Amsterdam
(4.1) festival title. you're doing amazing sweetie
(4.2) telegram sticker. bunny. download the sticker packhere
(4.3.1) festival brochure
(4.3.2) festival brochure
(4.4) festival trailer in U-Bahn Berlin
(4.5) festival trailer entrance @ silent green Kulturquartier / Betonhalle
(4.6) telegram sticker. kill god. download the sticker packhere
(4.7) conversation "Let there be no illusion" with Margarita Tsomou, சிந்துஜன் வரதராஜா (Sinthujan Varatharajah),
Zoë Claire Miller @ silent green Kulturquartier / Betonhalle
(4.8) opening performance. MengXuan Sun "IncrEn: weak apple eschatology" @ silent green Kulturquartier /
Betonhalle
(4.9) closing conversation with Alex Quicho, Rachel O'Dwyer, Nelly Y. Pinkrah,
Helen Starr, Alexandra (Sasha) Anikina, dubravka sekulic, Nóra Ó Murchú, Svitlana Matviyenko, Jussi Parikka @
the Miriam Makeba Auditorium at HKW, Berlin
(4.10) gem. lions paw
(4.11.1) exhibition "Uncensored Lilac" Bassam Issa Al-Sabah and Jennifer Mehigan @transmediale
e.V. studio
(4.11.2) exhibition "Uncensored Lilac" Bassam Issa Al-Sabah and Jennifer Mehigan @transmediale
e.V. studio
(4.12) gem. bug gem
(4.13.1) flyer for the exhibition "this is perfect, perfect, perfect". @kunstraumkreuzberg
(4.13.2) flyer for the exhibition "this is perfect, perfect, perfect". @kunstraumkreuzberg
(4.14) telegram sticker. #me. download the sticker packhere
(4.13.3) Jenkyn van Zyl, Surrender, 2023. for the exhibition "this is perfect,perfect, perfect" @kunstraumkreuzberg
(4.13.4) Luke van Gelderen, HARDCORE FENCING and END IN BURNING FLAMES OR PARADISE, 2023. for the exhibition
"this
is perfect,perfect, perfect" @kunstraumkreuzberg
(4.15) telegram sticker. juicy. download the sticker packhere
(5.1) visual research
(5.2) hanger. resin print
(5.2) hairpin. resin print
(5.2) ice cream stick. resin print
(6.1) url
(6.2) installation
(6.3) screen
(6.4) mounted screen on a metal plate, fabric panel in front